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Sciences et technologies de la musique et du son
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Last submissions
Marc Wijnand, Brigitte d'Andréa-Novel, Lionel Rosier. Finite-time stabilization of an overhead crane with a flexible cable submitted to an affine tension. 2021. ⟨hal-03141490⟩
Gérard Assayag. Co-créativité humains-machines. Une réflexion sur les indisciplines symboliques.. Revue Francophone d'Informatique et Musique, Association Francophone d'Informatique Musicale, 2020. ⟨hal-03140767⟩
Hugo Scurto. Designing With Machine Learning for Interactive Music Dispositifs. Sound [cs.SD]. Sorbonne Université, 2019. English. ⟨NNT : 2019SORUS356⟩. ⟨tel-02935929v2⟩
Nicola Orio, Laura Zattra. Audiomatching for the philological analysis of electroacoustic music. 2007 International Computer Music Conference, Aug 2007, Copenhagen, Denmark. ⟨hal-03139717⟩
Fanny Gribenski. De la France aux États-Unis : Fernand de La Tombelle et les concerts d’orgue. Journées d’étude Fernand de La Tombelle (1854-1928), Apr 2017, Venise, Italie. ⟨hal-03090192⟩
Jonathan Goldman, Fanny Gribenski, João Romão. Introduction: A Connected History and Geography of Studios. Contemporary Music Review, Taylor & Francis, 2020, Opening the Doors of the Studio, 39 (6), pp.639-647. ⟨10.1080/07494467.2020.1863001⟩. ⟨hal-03090155⟩
Pierre Massé, Thibaut Carpentier, Olivier Warusfel, Markus Noisternig. Measurement, Analysis, and Denoising of Directional Room Impulse Responses in Complex Spaces. Forum Acusticum 2020, Dec 2020, Lyon, France. ⟨hal-03138302⟩
Marion Voillot, Frédéric Bevilacqua, Joel Chevrier. Le corps au coeur de l’ apprentissage grâce au numérique : Proposition d’ un nouveau paradigme pour l’ éducation à la petite enfance. Les dossiers de l'écran Controverses, paniques morales et usages éducatifs des écrans, 2020. ⟨hal-03115282⟩
Thibaut Carpentier, Andrew Gerzso. Steering Behaviors for Spatial Sound Authoring. 45th International Computer Music Conference (ICMC), Jun 2019, New York, United States. ⟨hal-03127947⟩
Laura Zattra. Audiogrammi of a Collective Intelligence: The Composers-Researchers of S2FM, SMET, N.P.S. and other Mavericks. Bloomsbury Academic. The Bloomsbury Handbook of Sound Art, edited by Sanne Krogh Groth & Holger Schulze, pp.273-294, 2020, The Bloomsbury Handbook of Sound Art, 9781501338816. ⟨hal-03127872⟩
Marine Taffou, Clara Suied, Isabelle Viaud-Delmon. Auditory roughness elicits defense reactions. Scientific Reports, Nature Publishing Group, 2021, 11, ⟨10.1038/s41598-020-79767-0⟩. ⟨hal-03127860⟩
Stefano Alessandretti, Laura Zattra. La notazione della musica elettroacustica. Scrutare il passato per contemplare il futuro. Musica/Tecnologia, 2019. ⟨hal-02512915⟩
Hadrien Foroughmand, Geoffroy Peeters. Extending Deep Rhythm for Tempo and Genre Estimation Using Complex Convolutions, Multitask Learning and Multi-input Network. The 2020 Joint Conference on AI Music Creativity, Bob Sturm, Oct 2020, Stockholm, Sweden. ⟨hal-03127155⟩
Matthieu Ghilain, Lise Hobeika, Loris Schiaratura, Micheline Lesaffre, Joren Six, et al.. Synchronisation sensorimotrice et comportements non verbaux dans la maladie d’Alzheimer : l’influence du contexte social et musical . Psychologie and NeuroPsychiatrie du Vieillissement, John Libbey Eurotext, 2020, 18, pp.213 - 222. ⟨10.1684/pnv.2020.0861⟩. ⟨hal-03127136⟩
Matthieu Ghilain, Lise Hobeika, Micheline Lesaffre, Loris Schiaratura, Ashmita Singh, et al.. Does a Live Performance Impact Synchronization to Musical Rhythm in Cognitively Impaired Elderly?. Journal of Alzheimer's Disease, IOS Press, 2020, 78 (3), pp.939-949. ⟨10.3233/JAD-200521⟩. ⟨hal-03127074⟩
Lise Hobeika, Séverine Samson. Why do music-based interventions benefit persons with neurodegenerative disease?. Music and the Aging Brain, 2020, pp.333 - 349. ⟨10.1016/b978-0-12-817422-7.00013-4⟩. ⟨hal-03127010⟩
Hugo Scurto, Bavo van Kerrebroeck, Baptiste Caramiaux, Frédéric Bevilacqua. Designing Deep Reinforcement Learning for Human Parameter Exploration. ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2021, 28 (1), pp.1-35. ⟨10.1145/3414472⟩. ⟨hal-03124053⟩
Mireille Fares. Towards Multimodal Human-Like Characteristics and Expressive Visual Prosody in Virtual Agents. 22nd ACM International Conference on Multimodal Interaction, Oct 2020, Utrecht (virtual), Netherlands. ⟨10.1145/3382507.3421155⟩. ⟨hal-03115575⟩
Laura Zattra. Les origines du nom de RIM (Réalisateur en informatique musicale). Journées d'Informatique Musicale (JIM 2013), Saint-Denis, 2013, Paris, France. pp.113-120. ⟨hal-01106905⟩
Antoine Vincent, Alain Bonardi, Bruno Bachimont. Étude des processus compositionnels : un langage pour représenter les processus de production sonore. Journées d'informatique musicale, May 2013, Saint-Denis, France. ⟨hal-01106914⟩
Number of fulltext
1 174
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1 926
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